Feb242016

Bluegrass Festival Time in Arizona:

We have been cruising around southwest Arizona for the past four weeks attending three Bluegrass festivals and the Ajo fiddle contest. The past three days in Bullhead City have been the most awesome jamming opportunities of all. Here is a photo of the group we hosted last night at our campsite.
Tomorrow we will make our way to Lake Havasu City for the next festival in two weeks.
Jam_Bullhead20160220small
Left to right around the circle, Barbra and Joe Magie, a bass player and guitarist that I missed their names, Mick and Fria on mandolin and dobro guitar. That is me standing and a fellow named Steve with his back to the camera. Our campfire is a propane heater and a LED lantern on the table.
Please let me know if there are still recipients out there who do not wish to receive e-mail with photos attached. This photo is 600 kb. I always trim them.
Gary

Nov292015

Chord Progressions Spinner:

Have you been here? You are Jammin’ with a group and doing all right on a song that is familiar but not in your normal repertoire. You are just hitting your stride as the song transitions to the “B” part and the chord progression takes a sudden turn and you just can’t quite find the proper chord. You are checking out the other musicians’ fingerings and about then another chord change comes at you.
You can hang on for the next verse and hope to scope it out then. You can make a mental note to ask about the chords before starting the next time. Or… you can grin and fake it.
To help out in this situation I have developed a tool to visualize chord progressions. I call it the “Chord Progression Spinner.”
There are six basic elements to the “Chord Progression Spinner:” (Please refer to Figure 1.)
1. Each “Spinner” represents a single Diatonic Scale, and the chords built on the degrees or notes of that scale.
Figure _1
2. The degrees of the scale are represented in Roman Numerals. That is they are represented by the Roman Numerals I through VII. Upper case for Major Chords and lower case for Minor Chords.
3. The degrees are also represented by the letter names of the notes each chord is built upon. That is “F” is the “F” Major chord and it represents the F, A, C triad. Similarly “g” represents the G Minor chord, the G, Bb, D triad.
4. The “Spinner” part of the presentation is a series of arrows that represent the natural flow of each chord progression as it progresses toward the Tonic or “I” chord.
5. In addition there are chord fingering charts next to each of the spinner positions showing a common fingering for that chord including in some positions the seventh chord. This reduces the need to cross reference to a chord table.
6. Finally there are 16 boxes along the top edge of the Chord Progression Spinner. This Chord Sheet represents measures in the song. Many songs are built around an eight, 16 or 32 bar phrase. You may use them to show the chord progression of the A and B parts of the song you are working on, for example. By placing the “Spinner” in a clear sheet protector you can write out the chord progression, measure by measure, using a “Dry Erase” pen.
Using the “Chord Progression Spinner” is easy. While playing, have the sheet clearly visible for the key of the song you are playing. Practice tracking the chord progression around the “Spinner” tracks. Of course the basic I-IV-V chord progression songs are no challenge, they simply circulate around the three central elements. When a chord progression takes an unusual turn quickly scan the elements close to the point of departure for a likely candidate. Then watch to see if the progression follows one of the “spinner” paths back to the Tonic.
The basic rule is, most songs move from the “comfortable” position, i.e. the Tonic to an uncomfortable position such as a distant chord around the circle of fifths such as the II chord or to a minor chord like the vi chord to create tension then resolves back to the comfortable position to bring relief.
The second rule is a progression can go anywhere at any time, so don’t expect the arrows to be the absolute truth.
The third rule is a progression can move off to a distant chord and then resolve itself by returning directly to the point of departure.
Let’s look at a couple of songs.
“Five Foot Two” is a popular song from the 20’s. I use the progression:

|C |E |A |A7 |D7 |G7 |C |G7 |
|C |E |A |A |D |G7 |C |C |

Figure_2

Etc.
Notice that the progression starts in the comfort zone on the Tonic, “C”. Leaps out four places on the circle of fifths to “E”, the “III” chord. It then moves steadily back through “A”, “D” and “G” to finally return to the “C” or Tonic chord. Notice also that the 7th form of the chord is intermingled almost randomly into the progression. The 7th chord creates a more urgent need to resolve to the next more comfortable step in the progression. Do not do that with the tonic, that is unless you are intentionally modulating to the Key of F.
Blackberry Blossom requires rote memorization to achieve a working speed. The chord progression is like this:

A part: |G D C G |C G A D |G D C G |C G D G |
B part: |Em | B |Em |C G D G |

Figure_3

I am the first to admit that this is just as complicated as the chord sheet layout. I am visually oriented and I have always preferred a graph to a table. (See if you can follow the chord progression on the Chord Progression Spinner.)
To use the Chord Progression Spinner this way I place it in a clear plastic sheet protector and enter the chord progression in the measures diagram and draw the pattern with a dry erase marker. Whether the spelled out chord progression or the diagram is more helpful to you depends on how you learn things.
If you wish to explore the chord map concept further I invite you to look up the link at Chordmaps.com. Steve Mugglin gave me permission to use concepts derived from this website. Steve’s work is very comprehensive.
I am releasing these forms under the GNU, General Public License which is a copyleft license which means the derived works can only be distributed under the same license terms. Feel free to distribute copies. I will be distributing full color copies of the forms in jpg format through my website, Dinsmore-enterprises.com. I hope you get some benefit from them.
Gary Dinsmore

Here is a link to 7-zip.org where you can pick up a zip file manager. 7 zip Open Source File Archiving Software

Download Guitar sheets for Keys C, D, E, F, G and A. Guitar Files
Download Mandolin sheets for Keys C, D, E, F, G and A. Mandolin Files
Download Banjo sheets for Keys C, D, E, F, G and A. Banjo Files

Nov012015

Once Bit, Twice Shy:

I am not sure how to present this. Either we are getting wimpy in our old age, or we are finally getting smart. We are in the midst of our fall migration to the southern states. Read More »

Aug062015

The sailing adventures of the crew of the Montana Sapphire.

“Just sit right back
And you’ll hear a tale
A tale of a fateful trip,
That started from this Northwest port,
Aboard this tiny ship.”

The short version of the story is: We picked up the Montana Sapphire, a 38 foot Hans Christian sailboat in Anacortes at Skyline Harbor. We cruised through the San Juan Islands and up into the Canadian Gulf Islands. We had a delightful time and returned to Anacortes on a much larger vessel, the Washington State Ferry.
Somewhere in there is… “the rest of the story.”
Read More »

Jun072015

Classic Mariners Regatta:

Today we went to the Classic Mariners Regatta with Glen, Barb and Bryce. We all agreed that the boat I highlighted in yesterday’s blog was the most beautiful boat there. In fact it looked so fast that it looked like it was going 5 knots still tied to the dock. Here is a photo of the Pacifica on the leeward leg of the race as she passed Point Hudson. She is running a spinnaker on the main mast and a staysail on the mizzen.

Pacifica Running Downwind

Pacifica Running Downwind


After the race we toured the marina again and spoke with the owners and crew. We discovered they were originally from San Diego but now live here in Port Townsend. We gave them the address of our blog and I invite them to comment here.
The following link is to a Sailingjoy.com website that gives details of this or a similar boat built in the early 1970’s. This makes her a contemporary of our own Regal Jug, now owned by our son, Glen and his family.
http://www.sailingjoy.com/sailboat_specs/sailboat_specs/view/3103/swan-55-s-s-1970-yawl
Here is a similar detail sheet for the Aquarius 23
http://www.sailingjoy.com/sailboat_specs/sailboat_specs/view/75/aquarius-23
Notice there is very little difference between the boats. One is slightly longer, slightly wider and slightly heavier than the other, (45600lbs to 2280lbs). A mere order of magnitude or so.

Jun042015

Angel of Mercy

Judy and I went for a little walk after supper this evening. Our destination was the Point Hudson Marina in Port Townsend’s “Down Town.” The route was just over a mile and a half. What we didn’t think about was the 230 foot high hill between nearly sea level at the park and nearly sea level at the marina. On the way back we were smarter, we ducked around the end of the hill on “F” street, but that made the return trip almost 2.5 miles, but that hill was only 117 ft. We reached the corner of “O” street and Cherry and were contemplating one last hill to climb, probably about 100 feet when an angel of mercy drove by in a State of Washington Rangers pickup. If we got her name right it is Elishia. She recognized us from the park and stopped to offer a ride back to our camp. It knocked about 7/8ths of a mile off our return trip.

San Diego Yawl, Pacifica

San Diego Yawl, Pacifica


The photo is a San Diego yacht, the “Pacifica,” about 50 ft long and it appears to be a yawl. The wheel is definitely ahead of the mizzen mast and it appears the rudder must be ahead of the mizzen also, the defining characteristic of a yawl. I am speculating that we will see this boat in the Classic Mariners Regatta starting June 5th. First race is noon on the 6th.

Apr052015

We’re Having a Wild Spring:

Judy and I agreed to take over a vacant position at the Port Orford Lifesaving Service/Coast Guard Station Museum for most of the month of April. Read More »

Mar132015

First Log Train from Keasey:

Yes! It is the light of an oncoming train. The first log train from Keasey arriving at Vernonia, Oregon. Read More »

Feb272015

Disconnect Log Cars Nearly Complete

I have just about completed the little mountain railroad at the far end of the SP&S Railroad. This represents the United Railway branch of the Spokane, Portland and Seattle Railroad. It could use a little more scenery, and the rails are yet to be laid to Keasey on the County Line. Judy and I have driven most of that and photographed the old right-of-way where we could.
Recently my efforts have turned to creating the “Disconnect Log Cars” used by the Oregon American Lumber Co. in Vernonia Oregon to transport the old growth Douglas Fir trees from the Rock Creek Drainage to their log pond in Vernonia, Oregon. Read More »

Feb202015

February 20, 1965: Fifty Years Together:

On June 20, 1964 I kind of kicked off a series of events that have brought Judy and I to this point in our life together. This is our Fiftieth Wedding Anniversary. To celebrate this event I polished up an old song by Hank Snow called “With this Ring I Thee Wed.” It was just the song I needed at the time. I was somewhat nervous and timid, but if I could sing it in a song, I could get my message across. At the time I was working for the Northern Pacific Railroad. To pass the time, I spent many hours hiking and playing my guitar. The main thing on my mind was this enchanting young lady, Judith Starr, who lived in Spokane, Washington. Read More »